Pecker



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Pecker

 Pecker

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Aspect Ratio: 1.85:1
Audience Rating: R (Restricted)
Binding: DVD
EAN: 9780780625525
Format: Anamorphic, Closed-captioned, Color, Dolby, DVD-Video, Widescreen, NTSC
ISBN: 0780625528
Label: New Line Home Video
Manufacturer: New Line Home Video
Number Of Items: 1
Picture Format: Anamorphic Widescreen
Publisher: New Line Home Video
Region Code: 1
Release Date: February 23, 1999
Running Time: 86 minutes
Sales Rank: 14131
Studio: New Line Home Video
Theatrical Release Date: September 25, 1998




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Editorial Review:

Amazon.com:
Pecker (so named, at least according to his grandmother, because he always pecks at his food) loves to use the camera to capture his fellow Baltimore residents living their daily lives. Of course, since this is a John Waters movie, those daily lives include visits to strip bars, shoplifting, and various other quirky, and frequently hilarious, human activities. When Pecker's makeshift photo exhibit comes to the attention of a New York art agent (Lili Taylor), Pecker becomes the latest sensation. Unlike the hero in most sudden-fame stories, however, Pecker, as played by Edward Furlong, isn't exactly an innocent; rather, he takes in the world with his eyes, and his mind, wide open. So instead of suffering a precipitous fall, Pecker eventually turns the tables on his more worldly New York peers.

While not as outrageous as early Waters features such as Female Trouble and Pink Flamingos, Pecker still has something to offend just about everyone. But those who take the offenses to heart would be missing out on what amounts to a sweet-natured farce. The movie is not so much a pointed satire as a gentle teasing of the art world and its pretensions. The all-embracing world of John Waters allows for lovable freaks from the big city, too.

The movie sags a bit when it settles into its plot; it can't sustain the comic inspiration reached in the opening scenes of Pecker's encounters with Baltimore's misfits. But running gags about a sugar-addicted child and a ventriloquist-doll Virgin Mary are hilarious. What ultimately makes the movie such a pleasure, though, is Waters's genuine fondness for all of his characters. Aided by a charming cast, including Christina Ricci and Waters regulars Mink Stole and Patty Hearst, Waters has created a surprisingly touching ode to human eccentricity. --Chris Neman



Customer Reviews
Average Rating:  out of 5 stars

Rating: 3 out of 5 stars - John waters down his earlier work in a futile attempt to make it more palatable
Pecker (Edward Furlong) is a naive artist who likes to take pictures of his family and friends in Baltimore. His name is derived from the fact that as a child he pecked at his food. He works at a sandwich shop, and is excited about having his first exhibition. It is a very amateur affair, but through some fluke he is discovered. Pecker's out-of-focus snapshots are being compared to Diane Arbus, but with empathy, and his work is sought by the New York Art Elite. Gallery owner Rorey Wheeler (Lili Taylor) is especially taken with the new artiste on the block, and attempts to lure him from his girlfriend, Shelley (Christina Ricci), who is too busy enforcing nazi-like rules at her laundrymat to notice at first.

Film maker John Waters (Pink Flamingoes, Hairspray, Polyester, Cry Baby, etc.) takes aim at New York elitists (he is from Baltimore), art snobs, censorship, and the unintended consequences of fame on an artist and their friends and relations (who might serve as raw material or inspiration); but unfortunately, nothing sticks. Best moment was at Pecker's 2nd exhibition when he temporarity turns the tables on the art snobs, who cry out "Here's to the end of Irony!" before realising the show is mocking them. Or did I dream that? I borrowed Pecker from the local library and had to return it before I could watch a second time to verify. Waters' film, Pecker is really just a gallery of grotesques, but without the empathy of a Diane Arbus.

Furlong and Ricci are two prime examples ... Read More



Rating: 4 out of 5 stars - WITH A NAME LIKE PECKER..........................!
I don't know why I like these types of film so much, maybe because the stories are not stamped out of a production assembly line. 'Pecker' is a smart and funny film with a good cast and lots of quirky characters. I did think it strange that they portrayed Baltimore locals as a bunch of whackos but, the film is very good and carries a good message. I caught this on cable so, if you see it on TV....check it out. I rate it 3 3/4 stars.



Rating: 3 out of 5 stars - Interesting profile and perspective on Baltimore and the NYC art scene
John Waters portrays the absurd elements of everyday life in his beloved hometown of Baltimore with such relish that it actually makes me want to visit. The highlight of the film is Pecker's grandmother who has a "speaking" Virgin Mary and his older sister who works in a gay stripclub. The NYC art scene is portrayed as cold, calculating and a bit of a leech to Pecker's fresh-faced and unassuming talent, though Christina Ricci's girlfriend character was a bit annoying in her constant complaints against the latter city while extolling the virtue of Baltimore. This is not one of John Waters' best (those would be primarily in the 1970s) but is recommended for anyone interested in Baltimore and an outsider's view of the art scene.



Rating: 5 out of 5 stars - Outrageous, but full of good will
This is the movie that redeemed John Waters for me. It's laugh-out-loud funny, totally outrageous, but full of good will and human kindness. It skewers the New York art establishmant most delightfully and casts an affectionate eye on Baltimore and its denizens. An absolute delight!



Rating: 5 out of 5 stars - Very Funny
Out of the three John Waters films I've seen (Pink Flamingos, Serial Mom, and this film...In that order), this is definitely my favorite. It's probably Waters most normal film (and even this film has some weird moments);
It's got a great cast, the dialogue is funny, and some of the events play like some weird farce on real life. Edward Furlong (Terminator 2) plays Pecker, a young kid who snaps pictures of everything around him. Graffiti'd walls,
fat women, girls on a bus, a man getting his hat stolen, pubic hair...You name it, he takes a picture of it. Eventually Pecker's photos get noticed by Rorey (Lili Taylor, 'I Shot Andy Warhol') who puts his photos in a gallery to mass acclaim. Eventually, it takes a toll on Pecker's life and everything spirals out of control...In typical John Waters fashion. The movie's plot is pretty simple, but it's hilarious. Example; Pecker's sister Crissy is a sugar crazed brat. A Child Protective Services worker shows up at the house and prescribes Rittalin, which instantly changes her behavior. The way I'm explaining it doesn't sound very funny at all, but if you've had any experience with ADHD...Then you'll get a laugh out of that. Christina Ricci co-stars as Shelley, Pecker's girlfriend who runs a fascist laundromat. I've always liked Ricci as an actress, but her looks kind of come and go in films. She'll look great in one film and then like crap in another. In the movie "The Ice Storm" which came out around the same time as this, she didn't look that great. ... Read More



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