List Price: $19.98You Pay Only: $14.99 You Save: $4.99 (25%)Prices subject to change.
Availability: Usually ships in 24 hours
Aspect Ratio: 2.35:1
Audience Rating: R (Restricted)
Binding: DVD
EAN: 9780783229522
Format: AC-3, Anamorphic, Closed-captioned, Color, Dolby, DVD-Video, Widescreen, NTSC
ISBN: 0783229526
Label: Universal Studios
Manufacturer: Universal Studios
Number Of Items: 1
Picture Format: Anamorphic Widescreen
Publisher: Universal Studios
Region Code: 1
Release Date: November 17, 1998
Running Time: 119 minutes
Sales Rank: 1047
Studio: Universal Studios
Theatrical Release Date: May 22, 1998
Related Items:
Editorial Review:
Amazon.com:
The original cowriter and director of Fear and Loathing in Las Vegas was Alex Cox, whose earlier film Sid and Nancy suggests that Cox could have been a perfect match in filming Hunter S. Thompson's psychotropic masterpiece of 'gonzo' journalism. Unfortunately Cox departed due to the usual 'creative differences,' and this ill-fated adaptation was thrust upon Terry Gilliam, whose formidable gifts as a visionary filmmaker were squandered on the seemingly unfilmable elements of Thompson's ether-fogged narrative. The result is a one-joke movie without the joke--an endless series of repetitive scenes involving rampant substance abuse and the hallucinogenic fallout of a road trip that's run crazily out of control. Johnny Depp plays Thompson's alter ego, 'gonzo' journalist Raoul Duke, and Benicio Del Toro is his sidekick and so-called lawyer Dr. Gonzo. During the course of a trip to Las Vegas to cover a motorcycle race, they ingest a veritable chemistry set of drugs, and Gilliam does his best to show us the hallucinatory state of their zonked-out minds. This allows for some dazzling imagery and the rampant humor of stumbling buffoons, and the mumbling performances of Depp and Del Toro wholeheartedly embrace the tripped-out, paranoid lunacy of Thompson's celebrated book. But over two hours of this insanity tends to grate on the nerves--like being the only sober guest at a party full of drunken idiots. So while Gilliam's film may achieve some modest cult status over the years, it's only because Fear and Loathing is best enjoyed by those who are just as stoned as the characters in the movie. --Jeff Shannon
Customer Reviews
Average Rating: 
Rating:  - "I just wanted to carve a little Z on your forehead"
This is for sure one of my top ten favourite films. I must have watched it 20-30 times since it came out, and I and some friends have a habit of watching it at vorspiel if we're going out on town. It is just so hilariously funny that I don't even know where to begin. Johnny Depp and Benicio Del Toro both act in what I think are roles they can never top again. Having read the book by Hunter S. Thompson several times, I think this is one of the few films out there that actually manages to capture the essence of a book on screen without loosing too much of the content. The film itself should be well enough known to leave out any summary of the "plot", but it is basically a ride into the dark side of the US back in the 1970's.
Raoul Duke (Depp) is a kind of free-lance journalist on a mission to Las Vegas to cover a motorcycle-race, he brings his Samoan lawyer (Del Toro) since "he's going to need plenty of legal advice before this is over". They bring a suitcase full of drugs and alcohol, and head through the desert from Los Angeles towards Vegas. The film is both completely insane and hilariously funny. They dig ever deeper into their own minds and the suitcase of drugs, and from that ever more bizarre situations occur. The film has some "dull" moments too, but they are necessary to show the up's and down's of this kind of psychedelic journey. The hilarious quotes from this film are too many to bring up here; but the best one might be when the pair are on their way to some kind of family ... Read More
Rating: - Gotta love it
Most drug movies are meant to be experienced under the influence, or when I watch this one, to watch late at night when you are very tired and have some feelings like a drug trip. Watching this movie for the first time a couple months ago, it didn't really connect what it was all about and where it came from. So then, I started reading some of Hunter Thompson's books and reading about his life, and then I watched the movie with more knowledge. I can't say how much I love this movie now knowing all that. The price on this is totally worth it because aside from being a collector's edition of this classic, it has bonus features that will put almost all other bonus features to shame. Buy this and buy this now
Rating:  - funny in small doses: one-joke on a loop in a bad cartoon (But well acted)
Classic American novel about weird America and the harsh come down of the 60s generation receives mediocre film treatment. Criterion Collection must have added this film because it'll bring in funds for the truly good films that deserve to be added. That's what I've assumed when I see films like this or THE ROCK in their catalogue. The history of the making of this film with its long list of who's who in the film industry that tried bringing the cult novel to the screen is fascinating. Martin Scorsese, Oliver Stone both wanted to direct but didn't make it happen. Actors Jack Nicholson and Marlon Brando and the Dan Aykroyd and John Belushi duo were considered (you guess who would have played Duke and Gonzo out of each pair. LOL). John Cusack was a possibility as the Doctor at one point. Unfortunately this is far from the best movie they could have gotten out of the book. Alex Cox (SID AND NANCY) might well have proven to be the best director for the job, but had "creative differences" with Thompson. Too bad. One interesting idea to my mind was making an animated feature. Filmmaker/animator Ralph Bakshi and Thompson himself wanted to do it. As the story goes, they tried to get Hunter's girlfriend -who for some reason had the rights- to go with the idea, but failed. She was set on doing a live action. The idea was to do the style of Ralph Steadman's illustrations for the book. Bakshi: "I kept telling her that a live action would look like a bad cartoon but an animated version would be a great one. She ... Read More
Rating: - Depp at his best
This is my all time favorite movie. I have seen it probably 40-50 times. Johnny Depp gives an inspiring performance and Bianco Del Toro is solid to say the least. I saw the movie, then read the book, and I must admit the book is much better. But heck, buy both of them! You will not be disappointed.
Rating: - Good DVD edition of a great film adaptation
There's not much that I can type about the content of this disc's feature that hasn't been stated many times over. Gilliam's filmic version of HST's most popular book features enormous visuals and spot-on performances; it conveys the imagery and milieu of its source as capably as one could expect of it.
For an early DVD (this was released a decade ago, only a year into the format's commercial lifespan), this is a pretty decent effort. The audiovisual quality is quite good. The Dolby surround track is as vibrant as possible, despite the format's limitations. The visuals have been competently mastered from a pristine print.
The disc's special features are also impressive. The Spotlight on Location "making-of" featurette is much more visitable than most productions of its kind, as it's fairly substantial: excerpts from amusing interviews and production footage are capably implemented in a short running time. The two longest sequences of the film's deleted scenes are also of interest. The first of these is an amusing sequence directly adapted from the book's midsection; the second is weirdly ambiguous and unique to the screenplay, only utilizing a single famous line of dialogue taken from the book's last chapter (which was omitted from the shooting script). Both of these scenes were never processed in post-production, so the film stock is grainy and dark, with blinding high contrast. These cinematographic qualities bear a resemblance to those of '70s features, and the resulting ... Read More
Browse for similar items by category:
|
