from: Steidl/National Gallery of Art, Washington
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Binding: Hardcover
Dewey Decimal Number: 973.9
EAN: 9783865215840
Edition: Revised
ISBN: 386521584X
Label: Steidl/National Gallery of Art, Washington
Manufacturer: Steidl/National Gallery of Art, Washington
Number Of Items: 1
Number Of Pages: 180
Publication Date: June 01, 2008
Publisher: Steidl/National Gallery of Art, Washington
Release Date: May 30, 2008
Studio: Steidl/National Gallery of Art, Washington
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Editorial Review:
Amazon.com Review:
Armed with a camera and a fresh cache of film and bankrolled by a Guggenheim Foundation grant, Robert Frank crisscrossed the United States during 1955 and 1956. The photographs he brought back form a portrait of the country at the time and hint at its future. He saw the hope of the future in the faces of a couple at city hall in Reno, Nevada, and the despair of the present in a grimy roofscape. He saw the roiling racial tension, glamour, and beauty, and, perhaps because Frank himself was on the road, he was particularly attuned to Americans' love for cars. Funeral-goers lean against a shiny sedan, lovers kiss on a beach blanket in front of their parked car, young boys perch in the back seat at a drive-in movie. A sports car under a drop cloth is framed by two California palm trees; on the next page, a blanket is draped over a car accident victim's body in Arizona.
Robert Frank's Americans reappear 40 years after they were initially published in this exquisite volume by Scalo. Each photograph (there are more than 80 of them) stands alone on a page, while the caption information is included at the back of the book, allowing viewers an unfettered look at the images. Jack Kerouac's original introduction, commissioned when the photographer showed the writer his work while sitting on a sidewalk one night outside of a party, provides the only accompanying text. Kerouac's words add narrative dimension to Frank's imagery while in turn the photographs themselves perfectly illustrate the writer's own work.
Product Description:
In 1958, the first edition of Robert Frank's The Americans was published in Paris. Les Américains contained Frank's 83 photographs in the same sequence as all subsequent editions, with the image on the right hand page, but juxtaposed with historical texts about American society and politics, gathered by Alain Bosquet. The following year, in the first American edition, the French texts were removed and an introduction by Jack Kerouac was added. Over the subsequent 50 years, The Americans has been republished in many editions, in numerous languages, with a variety of cover designs, and even in a range of sizes. It is the most famous photography book ever published, and it changed the face of the medium forever.
Robert Frank discussed with his publisher, Gerhard Steidl, the idea of producing a new edition using modern scanning and the finest tritone printing. The starting point was to bring original prints from New York to Göttingen, Germany, where Steidl is based.
In July 2007, Frank visited Göttingen. A new format for the book was worked out and new typography selected. A new cover was designed and Frank chose the book cloth, foil for embossing, and the endpaper. Most significantly, as he has done for every edition of The Americans, Frank changed the cropping of many of the photographs, usually including more information. Two images were changed completely from the original 1958 and 1959 editions.
Average Rating: 
Rating:  -
Robert Frank's pictures of America in the 1950s are comparable in depth and perceptiveness to Dorothea Lange's pictures of the 1930s. They are in black and white and call you back to look at them again and again. Composition is excellent. I had not heard of Robert Frank until recently. His photographic work, however, is excellent.
Rating:  -
This is an outstanding collection of photographs. The drawbacks: The book's trim size (height & width) is surprisingly small for a collection of photographs. And WATCH OUT -- for some reason, there are real con artists charging $150 and more even though this book can be bought NEW for less than $40.
Rating:  -
I'm not as impressed with this book as most critics are. Frank traveled around the U.S. and photographed pretty much what he was looking for: visual proof that Americans and their culture are crass, materialist, full of prejudice, and vulgar.
This view has been a commonplace conceit of European artists and intellectuals, and it began even before the colonies had united to become the United States. It was a message that was sure to win him applause from Europeans and also from that portion of the American intelligentsia who take European judgements as final.
I think Frank's photos are highly overrated and took little insight or understanding to create. They reflect mostly a typical European viewpoint and show almost no understanding of what this country and its people are really about.
Rating: -
Robert Frank changed the world of photography with this collection of work. I think every young photographer should own and study this book.
Rating: -
If you want to understand the USA of today, 2009, there's no better time and place to start than with America in the mid 1950s, when the "post-war-cold-war-post-cold-war" culture first took shape, at the threshold of: rock and roll and youth culture; clvil rights, the end of Jim Crow, 'crossover' culture; global immigration, the culture of diversity; college as a normal expectation for lower-middle class kids; the Beat Generation, Hippies, the turn-on-drop-out culture; two kids, two income families, two cars in every garage, and above all a TV in every home. You'd have been quite a prophet if you'd foreseen 'what we are today' on the basis of 'what we were in 1950,' but the seeds were there.
If you want to 'see' the 1950s, you can do it. You don't need a time-machine. The 85 photographs in this famous collection, taken 'on the road' by the German-Swiss Robert Frank, are worth at least 85,000 words. All in black-and-white, eclectic and experimental in darkroom technology, almost none of them of 'famous' people or familiar sights, these carefully and thoughtfully sequenced photographs reveal more of the shadows upon the American Dream than the sparkling spot lights, but they are as uncompromisingly honest as a dental X-ray. Not a speck of caries can be hidden. Frank saw through the superficial smiles of the 1950s to the cavities of core city and rural poverty, racism, sexism, crassness, and forced conformity - the grotesque 1950s that Flannery O'Connor depicted in Wise Blood and other works, that James Dean and Marlon Brando portrayed in films, and that Jack Kerouac tried to flee by taking to "the road."
If you want to understand Kerouac - or the appeal of Kerouac to a generation of young Americans - you couldn't do better than spend some hours looking at these photos of the culture he fled from. And in fact, Kerouac himself played a role in getting Frank's work recognized and published. The introduction to the first edition of The Americans is possibly Kerouac's most intelligent and coherent piece of social analysis, almost a manifesto of dissatisfaction with the stifling mediocrity of his contemporary USA.
Robert Frank was above all a photographer. A camera artist. The compositional and technical innovations that he achieved in this and other thematic collections of photos nudged the aesthetic of photography in directions that are still evident even in commercials during football games or in fashion shots for auto ads. The huge touring exhibit of his work, now on display at the San Francisco Museum of Modern Art, has reminded me of his powerful impact both as a visual artist and as a social commentator. Don't miss it if you have a chance!
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