Aspect Ratio: 1.85:1
Audience Rating: R (Restricted)
Binding: DVD
EAN: 7321900120487
Format: NTSC
Number Of Discs: 1
Region Code: 2
Sales Rank: 221618
Theatrical Release Date: December 21, 1990
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Editorial Review:
Amazon.com:
Handle with care--this one's a bomb! Director Brian De Palma seemed an unlikely choice to transfer Tom Wolfe's mammoth bestseller-- a vibrantly satiric story about race, politics, and greed in 1980s New York--to the screen. In this case, the first impression was correct. Made with a tin ear to everything that made the book so real, the movie gets it wrong every time, starting with casting Tom Hanks in the central role (which, as anyone with brains knew, should have been played by William Hurt). Move along to the choice of Bruce Willis for the sneaky British tabloid journalist and, well, need I say more? As stylish as any De Palma film, this story of a Wall Street broker whose extramarital shenanigans trigger a racial incident that becomes front-page news gets no help from Michael Cristofer's tone-deaf script. After watching it, read Julie Salomon's behind-the-scenes book about its making, The Devil's Candy, which is much more entertaining. --Marshall Fine
Customer Reviews
Average Rating: 
Rating:  - prophetic social commentary
Watch it now as Wall Street falls apart under the weight of poorly structured derivatives. It takes on an eerie immediacy. Deja vu, all over again.
Rating:  - Terrible Adaptation
This movie was probably the worst adaptation of a book I have ever seen in my entire life. De Palma missed EVERYTHING that made Tom Wolfe's book so incredible. The fact that this movie is billed as comedy should be enough to deter those who enjoyed the book from watching it. Absolutely terrible film. Read the book and don't see the movie.
Rating: - The truth shall set you free, and if it doesn't,... LIE LIKE HELL!
I saw this film in the theaters as a teenager having not read or even heard of the book. I really enjoyed it because of the actors, the characters and their backstories. I just love satire. I hadn't even heard of Reverand Al. Now, this movie still amuses me, but on more levels. A year after I saw this film, I took a cinema class in college, where the instructor blamed the trashing of the film on its New York City premiere, where the local reviewers panned the movie for airing their city's dirty laundry. Whether civic pride or an unachievable high standard created by the prestige of the novel are to blame, this film got a bad rap. There's a lot in the film and lots to like, now as then.
Rating: - What a Mess.
So sad. A great 5 star novel turned into a 1 star movie. Totally miscast in every character. If anyone in a Holywood studio is out there, this is one movie that needs to be REMADE, so that its true to the novel.
Rating:  - De Palma doesn't do straight satire.
Personally, I watched the movie without having read the book, which could be seen as both a good and a bad thing. On one hand, it allows me to judge the film as exactly that - a film, with no other conflicting point of reference to cloud my opinions. On the other, it means I'm pretty much ignorant as to whether or not the screen version succeeds or fails in living up to its story's potential. 'The Bonfire Of The Vanities' is a good film: nothing more, nothing less. So why, then, was it so universally slated by critics at the time of its big screen release? The answer, it would seem, is the overwhelming popularity of the piece of literature it was based on, Tom Wolfe's novel of the same name.
This movie is played on the borderline "tragedy and comic" the result, in my opinion, is a very interesting mix of ironic situations. Sherman McCoy (Tom Hanks) is on top of his game and is the top dog in one of the top financial firms in the city. He has money in spades, a socialite wife, a Park Avenue apartment, a mistress and a very nice car. While out with that same mistress Maria (Griffith) in that same expensive car, Sherman takes a wrong turn and ends up in the Bronx where, in a moment of panic at being confronted by crowds of African Americans, Maria suddenly hits a black man and they drive off back to normal white society. Sadly for Sherman, this minor incident escalates when the boy goes into a coma and his car is identified as the one involved, Add to this a DA who desperately needs to ... Read More
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