Deliverance [Region 2]



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Deliverance [Region 2]

 Deliverance [Region 2]








Aspect Ratio: 2.35:1
Audience Rating: R (Restricted)
Binding: DVD
EAN: 7321950154456
Format: Anamorphic, Full Screen, NTSC
Number Of Discs: 1
Region Code: 2
Theatrical Release Date: July 30, 1972




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Editorial Review:

Amazon.com essential video:
One of the key films of the 1970s, John Boorman's Deliverance is a nightmarish adaptation of poet-novelist James Dickey's book about various kinds of survival in modern America. The story concerns four Atlanta businessmen of various male stripe: Jon Voight's character is a reflective, civilized fellow, Burt Reynolds plays a strapping hunter-gatherer in urban clothes, Ned Beatty is a sweaty, weak-willed boy-man, and Ronny Cox essays a spirited, neighborly type. Together they decide to answer the ancient call of men testing themselves against the elements and set out on a treacherous ride on the rapids of an Appalachian river. What they don't understand until it is too late is that they have ventured into Dickey's variation on the American underbelly, a wild, lawless, dangerous (and dangerously inbred) place isolated from the gloss of the late 20th century. In short order, the four men dig deep into their own suppressed primitiveness, defending themselves against armed cretins, facing the shock of real death on their carefully planned, death-defying adventure, and then squarely facing the suspicions of authority over their concealed actions. Boorman, a master teller of stories about individuals on peculiarly mythical journeys, does a terrifying and beautiful job of revealing the complexity of private and collective character--the way one can never be the same after glimpsing the sharp-clawed survivor in one's soul. --Tom Keogh

Amazon.com:
One of the key films of the 1970s, John Boorman's Deliverance is a nightmarish adaptation of poet-novelist James Dickey's book about various kinds of survival in modern America. The story concerns four Atlanta businessmen of various male stripe: Jon Voight's character is a reflective, civilized fellow, Burt Reynolds plays a strapping hunter-gatherer in urban clothes, Ned Beatty is a sweaty, weak-willed boy-man, and Ronny Cox essays a spirited, neighborly type. Together they decide to answer the ancient call of men testing themselves against the elements and set out on a treacherous ride on the rapids of an Appalachian river. What they don't understand until it is too late is that they have ventured into Dickey's variation on the American underbelly, a wild, lawless, dangerous (and dangerously inbred) place isolated from the gloss of the late 20th century. In short order, the four men dig deep into their own suppressed primitiveness, defending themselves against armed cretins, facing the shock of real death on their carefully planned, death-defying adventure, and then squarely facing the suspicions of authority over their concealed actions. Boorman, a master teller of stories about individuals on peculiarly mythical journeys, does a terrifying and beautiful job of revealing the complexity of private and collective character--the way one can never be the same after glimpsing the sharp-clawed survivor in one's soul. --Tom Keogh



Customer Reviews
Average Rating:  out of 5 stars

Rating: 3 out of 5 stars - NEEDS REMASTERING. FILM: Wonderful. Transfer: Not so much...
The transfer of this film appears to be the same MPEG transfer as the one used for the DVD version. It DOES NOT appear to be a new 1080p 4k re-mastering of the film. This is not to say that it doesn't look much better in Blu-Ray than it does on DVD. But it is not, evidently, a brand new 1080p 4k transfer made expressly for Blu-Ray release. This can cause some problems, depending on your display system and settings. You may have to select a different input palette or profile on your display, or adjust your settings.

If your system is setup to show Blu-Ray films using the "Cinema" and "Movie" profile of your display, which assumes a low contrast, subdued display of a wide range source that takes full advantage of the display's capabilities, then this film may look washed out, have milky blacks and generally be displeasing. You may have to select a "Standard" profile, with a narrower contrast band, higher gamma and so forth, to bring the film back into the range for which it was originally transferred. Doing so with this film yields remarkable results, it suddenly "snaps to" and produces the sort of effect you were after with a Blu-Ray disc.

As happened in past generations of video standards, VHS to LaserDisc, LaserDisc to DVD, standard definition 480i to "high def" 1080i, and now 480p progressive scan DVD to 1080p Blu-Ray, the studios are cutting corners and, with some titles, re-issuing transfers that were "pretty good" for the prior standard on newer media without re-mastering ... Read More



Rating: 4 out of 5 stars - Only 30 years late in seeing this movie
I think I'm one of the only baby boomers who hasn't seen this movie. Not a bad movie considering the technology available at the time.



Rating: 2 out of 5 stars - Dull and overrated
New on the Fox Network: When Good Movies Go Bad!
Or, a review of John Boorman's 1972 film Deliverance, which he produced and directed, based upon James Dickey's 1970 novel of the same name. Dickey also wrote the screenplay, which explains a lot, especially if you are familiar with his `poetry.' The actual look of the film, however, is sensational. The cinematography of nature, by Vilmos Zsigmond, is still stunning after thirty-five years- especially those scenes shot in twilight, dusk, and night, and the first forty-five or so minutes sets the basis of a good tale which could have been something really special. Then, Dickey digs into his own personal bag of fetishes (his most famous poem is The Sheep Child, about bestiality) and latencies and the film becomes an almost nonstop stream of a narrative propelled by the Dumbest Possible Action theory of film.
Although the coinage of that term arrived a few years later than this film, Deliverance is as fine an example of that genre as there is. The term arrived in the early 1980s, when a spate of slasher films from the Halloween to the Nightmare On Elm Street to the Friday The 13th series, to their even cheaper knockoffs, were always dependent upon the early success of their villains stemming from the utter stupidity of their victims, to wit: big breasted cheerleader is alone in a dark house, hears a scream from down an even darker hallway, yet rushes headlong toward the scream, all the while knowing that a serial killer is lurking about. In similar ... Read More



Rating: 1 out of 5 stars - Item never received.
This item was ordered over 4 weeks ago and was never received. I have emailed the seller twice and am yet to receive the movie.



Rating: 5 out of 5 stars - Classic Movie
I had no problem with ordering, the movie came as promised, in perfect stated condition. I love this Movie, it is a Classic. I would purchase other items from this seller.



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