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Aspect Ratio: 1.33:1
Audience Rating: R (Restricted)
Binding: DVD
Brand: MGM HOME VIDEO (UNDER FOX)
EAN: 9780792858232
Feature: Unable to adjust to civilian life, a decorated Korean War hero decides he is worth more to his wife dead than alive. He tries to provoke the police to shoot him, but they capture him and declare him insane. Subjected to sadistic practices and unsanitary conditions, he sets out to change these injustices. Based on a true story. System Requirements: Starring: Gary Oldman, Dennis Hopper, Frances
Format: Closed-captioned, Color, DVD, Subtitled, Widescreen, NTSC
ISBN: 0792858239
Item Dimensions: 100
Label: MGM (Video & DVD)
Languages: EnglishOriginal LanguageEnglishSubtitledFrenchSubtitledSpanishSubtitled
Manufacturer: MGM (Video & DVD)
MPN: 1005213
Number Of Items: 1
Publisher: MGM (Video & DVD)
Region Code: 1
Release Date: September 16, 2003
Running Time: 98 minutes
Studio: MGM (Video & DVD)
Theatrical Release Date: April 20, 1990
Features:- Unable to adjust to civilian life, a decorated Korean War hero decides he is worth more to his wife dead than alive. He tries to provoke the police to shoot him, but they capture him and declare him insane. Subjected to sadistic practices and unsanitary conditions, he sets out to change these injustices. Based on a true story. System Requirements: Starring: Gary Oldman, Dennis Hopper, Frances
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Editorial Review:
Product Description:
At the edge of insanity lies hope. Studio: Tcfhe/mgm Release Date: 09/16/2003 Starring: Gary Oldman Frances Mcdormand Run time: 98 minutes Rating: R Director: Mick Jackson
Average Rating: 
Rating:  -
Gary Oldman is incredibly astounding and beautiful, sexy in this film as always.
I recommand it this truth story.
Rating: -
I won't comment on the story line since others have done quite well in that regard. The acting, however, is superb, and after watching a download of this film, I can recommend it very highly. The film is a lot easier to watch than many action dramas with pointless violence; the settings are extremely well done, the acting is superb, and the outcome of this real life story gives some meaning to the otherwise pointless suffering endured by the mid 1950s inmates of the Chattahoochee insane asylum. Excellent film, overall.
Rating: -
Gary Olman, man what an actor, for a brit he sure sounds southern. If you are a GAry Oldman fan like I am this is the movie for your collection of his flicks. Dennis Hopper has a good role as his confidant, and does a great job at that.
The downer to this movie is that it isnt pleasannt, as in, not a happy movie. If you are looking for a pick me up this is not the one to watch. It is based on a true story and thus makes it even more depressing to watch. The end is pretty good although I would have liked it to be a hair more explanatory of what happened to the characters after.
Rating:  -
So granted this is an older movie, so it's not going to have that modern movie feel, but the concept is great: a Korean War veteran shoots out the neighborhood in an attempt to get murdered by police so his wife can collect insurance money (although she doesn't know about this plan). It goes awry and he ends up in this medieval mental prison ward out in the middle of nowhere. There were no rules or rights for any of the men in this camp and once the main character sees how they are being mistreated, he sets out to do something about it, losing everything he ever had (including his mind at some points) in order to bring about a change.
Gary Oldman in ANY role is beyond amazing, but to give him a character like this is always a treat and privilege to watch. But it is a little dated now, so I'd say only watch if you are a Gary fan.
(It should be noted to be on the lookout for the "Shoe Man" - aka the crazy guy obsessed with his shoe-- if you do buy this movie... he is hilarious!).
Rating: -
Chattahoochee (1989) is a film inspired by true events of a man, after returning home from the Korean war, went crazy go nuts, got hisself locked up in a state loony bin, documented and reported all the abuses he saw and experienced, which eventually led to reforms of the system for public provided care of the mentally ill. Directed by Mick Jackson (L.A. Story, The Bodyguard), the film stars Gary Oldman (Sid and Nancy, Romeo Is Bleeding) as the Emmett Foley, a certified hero in the Korean conflict and a certified nut at home. Also appearing is Dennis Hopper (True Romance, Space Truckers), Frances McDormand (Fargo, Johnny Skidmarks), Pamela Reed (Cadillac Man, Kindergarten Cop), Ned `Squeal Like a Pig' Beatty (Rudy, Radioland Murders), and M. Emmet Walsh (Slap Shot, The Jerk, Blade Runner).
Emmett Foley ain't right in the head...or so it seemed that one, fine Sunday afternoon when he began randomly shooting up his neighborhood with a revolver. Strange thing is, he didn't seem to be trying to hurt anyone...but himself, and even that didn't work out too well, as the local police are terrible marksmen. Eventually Emmett turns his gun on himself, but the wound isn't fatal. While in custody, Emmet is deemed crazy, and transferred to Chattahoochee, a state mental asylum. His frustrated wife Mae (McDormand) can't even begin to understand what's going on, and neither can his family, including his sister Earlene (Reed). Upon arriving, Emmett finds the conditions at the state run facility deplorable, including overcrowded, filthy, roach infested barracks, no medical treatment readily available to the inmates, cruel and abusive guards, a neglectful and uncaring staff, harsh punishments, and food not fit for human consumption (I can honestly say I've never see a green pork chop until I saw this film). Now here's the kicker...seems Emmett's not crazy, at least no more than the rest of us, as his actions had a specific purpose, and therein lies the dilemma...the only way to get released is to be judged cured by the powers that be, but how can you be cured when you ain't sick? Anyway, Emmett, witnessing all sorts of abuses, begins documenting and writing letters to anyone who'll listen, becoming sort of an advocate for those who can't speak for themselves, eventually incurring the wrath of the institution's board in the form of electroshock therapy and daily doses of heavy sedatives, all while his sister is working desperately on the outside to get the attention of gooberment officials who might be able to save Emmett from the belly of the beast before it's too late...
I thought this film a decent one, but what I really enjoyed where the performances, especially from Oldman and Hopper, the latter playing Walker Benson, a convict who faked his way into the mental institution to get out of jail, hoping for easy time, I suppose, essentially jumping from the frying pan and into the fire...you see, in jail, you have a term you have to serve, and then you can get released, but in the loony bin, they can hold you for a long as they want, especially if you've got no next of kin, as was the case with Hopper's character. Actually, this aspect wasn't entirely clear to me, whether Hopper's character, along with a few others, got themselves admitted from the penitentiary to the nut house under false pretenses, or they were placed there as a means to alleviate an overcrowded system. I suppose it doesn't really matter, but it was question that stuck in my mind. I've found people either really like, or hate, Gary Oldman's performances, with few in between. As for myself, I'm a fan, as few actors I can think of get into a part as deeply as he does, accepting a vast variety of different roles, the only other, just off the top of my head, being Edward Norton. Hopper does an excellent job, providing a very controlled, restrained, realistic performance, something we don't get to see all that often, given his penchant for playing over the top villain types in a number of films, my personal favorite being the character Frank Booth from the 1986 David Lynch film Blue Velvet. My favorite scene in this film is when Emmett and Walker are lying in adjacent cots in the darkened barracks, and Walker is asking Emmett to describe some of his wife's more noticeable attributes, specifically her sweater puppies. Emmett, reluctant at first, eventually opens up, going into detail the difficulties in the sack he and his wife had after Emmett returned home from service, baring very personal and intimate details about himself, only afterwards to turn and see Walker had taken the bits he needed to satisfy himself through manual stimulation. Lovely...both McDormand and Reed also do very well, considering their parts were somewhat limited. One really strong scene worth sticking around for is when McDormand's character visits her husband, for the last time, breaking some particularly difficult news. With anyone else she might have appeared ... Read More
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