List Price: $14.99Amazon.com's Price: $11.49 You Save: $3.50 (23%)as of 11/23/2009 21:45 EST
Availability: Usually ships in 24 hours
This item ships for FREE with Super Saver Shipping.
Aspect Ratio: 2.35:1
Audience Rating: R (Restricted)
Binding: DVD
Brand: Disney
EAN: 0786936242164
Format: Anamorphic, Collector's Edition, Color, Dolby, DVD, Subtitled, Widescreen, NTSC
Label: Miramax Home Entertainment
Languages: EnglishOriginal LanguageDolby Digital 5.1SpanishSubtitledFrenchSubtitled
Manufacturer: Miramax Home Entertainment
MPN: D35793D
Number Of Items: 2
Publisher: Miramax Home Entertainment
Region Code: 1
Release Date: June 29, 2004
Running Time: 154 minutes
Studio: Miramax Home Entertainment
Theatrical Release Date: December 25, 2003
Related Items:
Browse for similar items by category: Click to Display
Editorial Review:
Product Description:
INMAN JOINS THE ARMY OUT OF LOYALTY TO HIS COUNTRY BUT SOON REALIZES THE SAVAGES OF WAR DON'T REPRESENT HIS VALUES. ONCE INJURED HE FLEES & BEGINS THE LONG JOURNEY HOME. BACK AT HOME ADA STRUGGLES TO KEEP THE FAITH. SHE TAKES IN RUBY, A LIVELY NEIGHBOR WHO TEACHES HER HOW TO KEEP THE FARM GOING.
Amazon.com:
Freely adapted from Charles Frazier's beloved bestseller, Cold Mountain boasts an impeccable pedigree as a respectable Civil War love story, offering everything you'd want from a romantic epic except a resonant emotional core. Everything in this sweeping, Odyssean journey depends on believing in the instant love that ignites during a very brief encounter between genteel, city-bred preacher's daughter Ada (Nicole Kidman) and Confederate soldier Inman (Jude Law), who deserts the battlefield to return, weary and wounded, to Ada's inherited farm in the rural town of Cold Mountain, North Carolina. In an epic (but dramatically tenuous) case of absence making hearts grow fonder, Inman endures a treacherous hike fraught with danger (and populated by supporting players including Philip Seymour Hoffman, Natalie Portman, and others) while the struggling, inexperienced Ada is aided by the high-spirited Ruby (Renée Zellweger), forming a powerful farming partnership that transforms Ada into a strong, lovelorn survivor. The film's episodic structure slightly weakens its emotional impact, and it's fairly obvious that director Anthony Minghella is striving to repeat the prestigious romanticism of his Oscar®-winning hit The English Patient. For the most part it works, especially in the dynamic performances of Zellweger and Kidman, and the explosive 1864 battle of Petersburg, Virginia, is recreated with violent, percussive intensity. Those who admired Frazier's novel may regret some of the changes made in Minghella's adaptation (the ending is particularly altered), but Cold Mountain remains a high-class example of grand, old-fashioned filmmaking, boosted by star power of the highest order. --Jeff Shannon
Average Rating: 
Rating:  -
Cold Mountain / B0001MDP3G
*Spoilers*
I just know this review is going to get buried in "unhelpful" votes, but I truly hated this movie. I can't imagine what anyone could get out of this movie - the depictions of the actual war on display are either non-existent or cartoonishly exaggerated to attempt some kind of heavy-handed good vs. evil narrative. The 'love' story is laughable, the characters are fantastically annoying and irritating, and I'm convinced that Zellweger got her Academy Award on the grounds that her whole character is based around mocking the 'main' characters and highlighting how stupid and useless they are (which is, for what it's worth, a pretty awesome reason to win an award).
Let's deal with the war first - I *think* someone mentioned, briefly, in this three-hour movie that slavery might have something to do with this whole war-thing. It's good that mention is made, because otherwise I might have accidentally believed that the war was orchestrated by fate to keep Inman from Ada. Slavery and its ugly implications are pretty much NEVER mentioned in this 'epic', and the one time African Americans are allowed on the screen, they're immediately shuffled off within 30 seconds. God forbid that black people be allowed screen time when we paid money to see Jude Law and Nicole Kidman - naked, no less.
There *is*, to be fair, a more immediate reason for the war than as a plot device to keep Inman out of Ada's eager arms, and that's so that Ada can constantly hover at the edges of potential abuse at the hands of the local Blatantly Evil Guy (BEG). The BEG wants Ada's property and, by extension, Ada herself, and decides that the most effective way to woo a lonely, vulnerable, naive young woman is to show up at her house once a week and scream at her, rather than try the more risky scheme of shaving his ratty beard and bringing by some flowers and/or beef jerky as presents. You can understand him being confused, though, because he appears to have coasted through life on pure charisma - the only explanation *I* can think of for why, when he and his small group of thugs start terrorizing the entire village and no one so much as peeps in protest. Well, there is *one* more reason I can think of - that in a reality-based, shade-of-gray world where no one is 100% good or evil, the tension between the security patrols and deserters was fraught with all sorts of moral ambiguity and difficult choices - at least a few of the deserters were a legitimate source of concern, what with the poaching, raiding, occasional rapes, and just generally being a drain on an already stretched infrastructure. But why would we consider difficult moral questions like the implications of helping starving soldiers while that food is needed for the starving locals - such things would take up valuable screen time and we've got an epic love story to unfold!
As much as I hate movies where the hero and heroine inexplicably fall inextricably in love with each other in the first five minutes and then spend the rest of the movie declaring their undying love for this near-stranger, "Cold Mountain" taught me that the effect is even *more* irritating when the characters continually acknowledge how much this conceit doesn't make sense. Thus are we given Inman and Ada, two lovers who are drawn to one another by their mutual awkward manners, muddy accents, and impossibly wide eyes. Ada is a refined gentlewoman without a single useful skill, apparently because cooking was considered 'beneath' her station, an odd feeling to nurture in a family that ostensibly is against slavery. I guess you can be against making other people do your dirty work without actually wanting to, you know, do your own dirty work. Inman is the perfect opposite of Ada, in that he can do pretty much anything, but never talks - an Informed Trait, because by gum he will *not* shut up about how much he loves Ada even though, he repeatedly reminds us, he doesn't know the first thing about her. Seriously, he doesn't know her middle name, what her childhood pet was, or whether or not she's allergic to shellfish - but he's willing to cross the entire country three times over to fling himself into her arms. Isn't that romantic?
Indeed, I can't decide if the best parts of "Cold Mountain" are the *painfully* awkward dialogue between the two lovers ("What color is the sky when it rains?!" and "[Our love] is like a bag of tiny diamonds!!") or Renee Zellweger brutally mocking said dialogue. Poor Zellweger is the one bright spot in this movie, as she shows up to rescue Ada from starvation, while proceeding to harshly chew her out for everything from mooning over a guy she's barely met to starving to death rather than figure out how to kill and skin a rooster to lounging in bed like a queen all day - basically, everything that the viewer would LIKE to say to Ada, but is denied the chance to. My one regret is that ... Read More
Rating:  -
It's easy to applaud writer/director Anthony Minghella for undertaking the daunting task of adapting Charles Frazier's beloved, award winning novel to the silver screen. After transforming tricky material into a lush, romantic, Oscar-winning epic with "The English Patient," he seems to be the logical choice for the job. You can even feel him pulling at a lot of the same strings to make "Cold Mountain" as great as that previous effort.
But in the end, it simply isn't.
The trouble begins with the love story between Inman (Jude Law) and Ada (Nicole Kidman). In the book, the romance between the two is portrayed with subtlety--it is hinted at a lot more than it is described in detail. As Minghella recognizes, readers are a lot more apt to accept subtlety instead of outright explanation than a viewing audience. Unfortunately, he tries too hard to have it both ways: to both capture the fleeting essence of their love affair before Inman leaves to fight in the Civil War as Frazier depicts it, as well as take some creative liberties with it to give the viewer a reason to feel the longing that the characters feel. As a result, the early scenes between Ada and Inman are clumsy and forced.
The good news is that once the film starts following the book, it gets much better. This is when, after recovering from a near-lethal injury to his neck, Inman abandons his post and begins his trek back home to Ada. From this point on, the film earns the book's reputation as being an imaginative retelling of Homer's "Odyssey." Like the main character of that classic work of mythology, Inman encounters many trials and tribulations on the road to his beloved. These include many close encounters with the home guard--a self-appointed group of enforcers who hunt deserters and runaway slaves, the temptation of sirens (in this version, they take the form of cackling, backwoods harpies), and starvation.
Meanwhile, back in Cold Mountain, Ada has troubles of her own. Unable to properly maintain her deceased father's (Donald Sutherland) farm, she finds herself close to starvation, as well. She also faces temptation in the form of a suitor who is an ersatz captain of the home guard. He tries to get her to abandon her hopes of Inman's return and allow him to take care of her. Given her impoverished and malnourished way of life, it is an attractive offer, even if the man who is offering it is not.
Still, she manages to survive on the goodwill of her neighbors and the local townspeople. Then Ruby Thewes (Renee Zellweger) shows up to help her turn around the farm. Zellweger provides the film with its few light moments and works hard to steal every scene she appears in. Ruby is a single-minded woman who is always in motion and is constantly making verbal checklists of things to do.
The split narrative between what is going on in Inman and Ada's lives balances out nicely. On both counts, we get an intimate view of a civilization that has been deeply fractured by the devastation of the Civil War. In a particularly poignant episode, Inman receives food and shelter from a young widow (Natalie Portman) who is nursing a sick baby. This is the one scene from the book that Minghella translates perfectly. And Portman gives a heart-breaking performance as someone not far removed from girlhood whose every day is a struggle to survive.
Moments like that one are the film's saving graces. They are also reminders of how uneven the rest of it is. Although Law gives a nicely understated performance as a simple man who is stoic and shy, yet vulnerable to the charms of true love as well as the horrors of war, his lapses with his southern accent prove to be a bit distracting. On that count, Kidman is an even bigger offender. She is able to emote effectively, but her on-again/off-again accent works against her. Of the cast, Zellweger keeps the steadiest southern drawl, but her overall work her is showy and stunt-like.
For all its faults, the film will move you at certain points. Harrowing images, like when a young soldier stands so close to an explosion that the blast wave rips the seams of his clothing, leave in imprint on your memory. And, I am happy to report that none of the emotional impact of the book's ending has been compromised.
Does the film adequately overcome its flaws enough to be considered truly great, like its source material? Are the artistic missteps overshadowed enough by the things it gets right?
Almost, but not quite.
Rating:  -
This was a very good movie based on the book by the same name. It is a little graphic as far as violence goes, and I did have to look away a few times, but the story line was excellent, and Renee Zellweger did a bang-up job as Ruby. In fact, here part, along with Jack White's were probably the best part. Nicole was a little off in this one, but Renee was in top form.
Rating: -
As a guy who's lived all his 45 years in North Carolina, I know this jewel of a film gets so much flack for absolutely no reason. The criticisms are: 1-It's not a real war movie. 2-It sympathizes with southerners. 3-It's a chick flick. 4-It's a low-key drama. 5-It was filmed in Europe. 6-Foreigners play the two leads. 7-It's not 101 percent faithful to the great novel. Look people, even if all of the above are true, this can still be a great film, and it is.
Zellwegger, for her endearing performance, so deserved her win as best supporting actress. The film ought to have won in other categories in which it was nominated. Kidman and Law are excellent. Cold Mountain is such a realistic depiction of home life during the Civil War. I've never seen a film as faithful to the original source material. The characters are people alive with their fear of the war. Guys will like the movie just as much as gals. There is an epic battle to satisfy the war buffs.
The producers and director do a wonderful job of convincing us that Romanian locations are actually Carolina terrain. If you want to experience what the Civil War was like for everyday people, this is it. Treat yourself to this valuable slice-of-life re-creation.
Rating: -
I bought this for a relative who was reading the book, we had already seen the movie and enjoyed it.
|
