Rating:  -
If you want to know about the movie you can read the previous reviewers, who give a very good idea of what you can expect.
I thought I'd add that the dvd image is anamorphic and very good quality. Although I'm pretty sure this is a PAL to NTSC conversion, it's the best I've seen. The image remains sharp and the colors strong. The only thing that gives it away is that it's not progressive and the running time.
It may seem absurd to you but this movie is not available in Spain so that's why I'm here.
Rating:  -
El Mar is a Spanish film about the toll the Spanish Civil War has on a group of young children who witness a mass murder and subsequently witness and/or participate in the murder of another child.
El Mar (The Sea) tells the story of three children: two boys (Andreu and Manuel)and a girl (Francisca). They grow up in a remote village where corruption from the Civil War still reaches them. The father of one of their friends is a corrupt official who murders those who would oppose him or fight in the resistance to the government. Their father of their friend, Paul, has been murdered by this man, so they determine to torture their friend as payback (and as only the mind of children can work) by forcing the boy to drink castor oil. However, things go wrong when the boy - Julia - taunts them and tells them that he just might have his father kill their fathers or them. Paul becomes enraged and eventually kills Julia - a feat that all the other children witness.
Paul cannot live with his guilt - so at the tender age of 10 - he commits suicide.
Flash forward ten years... The remaining children (Andreu, Manuel, and Francisa) all end up in the same location at the same time - a Tuberculosis Clinic set way in the countryside. Manuel has been there for some time as a patient, while Fancisca has been there for a while - but she is there as a nun/nurse. Andreu shows up as a patient shortly thereafter.
The rest of the story follows Andreu as he attempts to connect with his old friends AND disassociate himself from the crime lord for whom he has been not only a mule for stolen goods, but also a forced lover.
The attempts to show us the breadth of the corruption his crime lord has and how it is all but impossible for him to escape it. But it also takes us down an odd path, where we learn that Manuel has been in love with Andreu since they were children and Manuel has turned to religion to fight these sexual urges - and has maintained his virginity in the process.
Andreu is the driving force of the story, but the script lacks a cohesiveness to make us believe that this story is anything more than a character study. Is this about the effects of the war on these adult children? Is this a crime story? Is this a story about redemption lost and found? It doesn't effectively demonstrate a clear thread of synergy to provide us with a clear cut answer.
The acting is quite good and the settings sufficiently oppressive and realistic. This and another Spanish Civil War based film - The Devil's Backbone - give us glimpses into a child's mind with regard to the war and its effects - but they don't really tell the story in such a way as there is a complete resolution that satisfies.
El Mar more sufficiently resolves its storyline, but it isn't satisfying, because it doesn't make the connection between the children's past and their ultimate fate at the movie's end.
Gregg Araki deals with the emotional toll on children as they become adults much more effectively in Mysterious Skin. Although these two films have subject matter far different, the emotional framework is not that far apart.
In the clinic, Manuel has a pet cat that he dotes on. In a fit of anger Andreu kicks the cat almost to death (this is a particularly cruel scene and one I did NOT like in the least). Manuel sees this take place and does nothing - he says nothing - and he sheds not a tear. It doesn't fit with this emotionally fragile man, who constantly reads the Bible). It further doesn't fit that he would give the dying animal back to Andreu to put out of its misery, nor once Andreu does, that Manuel, upon burying the animal, is quite lighthearted.
Villaronga would have done well to show us a more consistent emotional thread for these children. Maybe it's an American's emotional expectations being cast on a film that reflects only a Spanish emotional demonstration...I doubt this though, since my best friend is Spanish and is sufficiently emotional in all areas. No, I think this is just a glossed over area of the script of a film that should have been far more emotionally engaging.
Rating:  -
Superb work, shocking movie with great performances. You can taste the cruelty of life, the narrow and twisted view of some called christians about life and sex and at the same time the mercifull of some of them: like the nun.
Rating: -
EL MAR is a tough, stark, utterly brilliant, brave work of cinematic art. Director Agustí Villaronga, with an adaptation by Antoni Aloy and Biel Mesquida of Blai Bonet's novel, has created a film that traces the profound effects of war on the minds of children and how that exposure wrecks havoc on adult lives. And though the focus is on war's heinous tattoo on children, the transference to like effects on soldiers and citizens of adult age is clear. This film becomes one of the finest anti-war documents without resorting to pamphleteering: the end result has far greater impact because of its inherent story following children's march toward adulthood.
A small group of children are shown in the Spanish Civil War of Spain, threatened with blackouts and invasive nighttime slaughtering of citizens. Ramala (Nilo Mur), Tur (David Lozano), Julia (Sergi Moreno), and Francisca (Victoria Verger) witness the terror of the assassination of men, and the revenge that drives one of them to murder and suicide. These wide-eyed children become adults, carrying all of the psychic disease and trauma repressed in their minds.
We then encounter the three who survive into adulthood where they are all confined to a tuberculosis sanitarium. Ramala (Roger Casamajor) has survived as a male prostitute, protected by his 'john' Morell (Juli Mira), and has kept his life style private. Tur (Bruno Bergonzini) has become a frail sexually repressed gay male whose cover is his commitment to Catholicism and the blur of delusional self-mutilation/crucifixion. Francisca (Antònia Torrens) has become a nun and serves the patients in the sanitarium. The three are re-joined by their environment in the sanitarium and slowly each reveals the scars of their childhood experiences with war. Tur longs for Ramala's love, Ramala longs to be free from his Morell, and Francisca must face her own internal needs covered by her white nun's habit.
The setting of the sanitarium provides a graphic plane where the thin thread between life and death, between lust and love, and between devotion and destruction is played out. To detail more would destroy the impact of the film on the individual viewer, but suffice it to say that graphic sex and full nudity are involved (in some of the most stunningly raw footage yet captured on film) and the viewer should be prepared to witness every form of brutality imaginable. For this viewer these scenes are of utmost importance and Director Villaronga is to be applauded for his perseverance and bravery in making this story so intense. The actors, both as children and as adults, are splendid: Roger Cassamoor, Bruno Bergonzini and Antònia Torrens are especially fine in inordinately difficult roles. The cinematography by Jaime Peracaula and the haunting musical score by Javier Navarrete serve the director's vision. A tough film, this, but one highly recommended to those who are unafraid to face the horrors of war and its aftermath. In Spanish with English subtitles. Grady Harp, July 05
Rating: -
I have to agree with the reviewer who said that this film is more for the art film lovers. It ain't bad. The story line is a bit dull but not to the point of ruining the film.
What I loved most about the film is how Ramallo talks about the sea and how liberating it is but yet never goes to one to experience just that. Instead he finds that liberation in other ways like sticking his head in a fish tank. I thought that was pretty artistic in a way. You'd have to see it to know what i mean i guess.
The violence in the film wasn't all that bad either...C'MON! I've seen worse!
All in all, I'd recommend it. why not.
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