Shine a Light [Blu-ray]



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Shine a Light [Blu-ray]

 Shine a Light [Blu-ray]
starring: The Rolling Stones
directed by: Martin Scorsese

List Price: $39.99
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Aspect Ratio: 2.35:1
Audience Rating: PG-13 (Parental Guidance Suggested)
Binding: Blu-ray
Brand: Paramount
EAN: 0097361385945
Format: AC-3, Color, Dolby, DTS Surround Sound, Dubbed, Subtitled, Widescreen
Label: Paramount
Manufacturer: Paramount
Number Of Items: 1
Publisher: Paramount
Region Code: 1
Release Date: July 29, 2008
Running Time: 122 minutes
Sales Rank: 2966
Studio: Paramount
Theatrical Release Date: April 01, 2008




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Editorial Review:

Album Description:
Widescreen. PG 13. Starring The Rolling Stones with Mick Jagger, Keith Richards, Ron Wood and Charlie Watts. Director: Martin Scorsese. Documentary/feature-film spanning the career of the Rolling Stones, with concert footage from their Bigger Bang tour; the highest grossing tour in music history. Rating: PG-13 for brief strong language, drug references and smoking

Amazon.com:
Martin Scorsese leaps into the madness of the Rolling Stones’ organization in Shine a Light, barely controlling (in a most entertaining way) a documentary that culminates in the Stones’ best concert on film. The movie’s highly entertaining, pre-performance prologue finds a frazzled Scorsese trying to get a clue about the band’s plans for a very special New York City date in 2006, a benefit hosted by Bill and Hillary Clinton. While Mick Jagger quibbles over concepts for the stage’s set and peruses lists of possible songs to include in the show, Scorsese tries to figure out how to shoot something for which he has few production details. Everything falls into place eventually, and after an extraordinary meet-and-greet scene in which Jagger, Keith Richards, Ron Wood, and Charlie Watts catch up with the Clintons and sweetly introduce themselves to Hillary’s mom, the Stones launch into a set that leans less heavily than usual on their greatest hits canon. Longtime fans are sure to appreciate the wealth of generally-untapped material from Let It Bleed ('You Got the Silver,' 'Live With Me'), Exile On Main Street ('All Down the Line,' 'Loving Cup'), and Some Girls ('Faraway Eyes,' 'Just My Imagination'). Jack White, Christina Aguilera, and Buddy Guy are on hand for memorable collaborations, but the Stones all alone are truly on fire in the relatively intimate setting of a small theater. Among the highlights is a sexy and even thrilling call-and-response between Jagger and ace backup singer Lisa Fischer on 'She Was Hot,' Richards’ gracious and expansive solo on 'Connection,' and Jagger’s witty take on 'Some Girls' (which manages to skip over the controversial verse about 'black girls'). Throughout the show, Scorsese and an army of camera operators cover the action from every conceivable angle, which results not so much in another hyperkinetic concert film but rather in the kind of graceful, flattering portrayal of a great band that the director mastered with The Last Waltz. --Tom Keogh



Customer Reviews
Average Rating:  out of 5 stars

Rating: 5 out of 5 stars - Satisfaction Indeed
This film begins with a farcical look at preparations for the upcoming Beacon Theatre show in New York but once the Stones storm the stage it's all about the music. From the opening notes of Jumping Jack Flash it's clear this music is in their blood. Whether it's Ronny's machine gunning the audience with the neck of his guitar. Or, the anger in Mick's face when he burst on stage ripping into Jumping Jack Flash, everything about this band says "let's go!"
While it's mostly lesser known '70's era songs, there are the '60's classics as well. Sadly, the most recent release is '83's "She was Hot", with Ms. Lisa Fischer and Mick gyrating wildly to this song. It's much better live.
The three cameos are good. Jack White is adequate. But it's Buddy Guy and Christina Aguilera stealing the show. During Guy's cameo, "Champagne and Reefer", we see Keith and Buddy's duelling guitar act. Then, Ronnie on third guitar and Mick on harmonica, all four legends standing in a circle, toe to toe tearing the house down. Ms. Aguilera surprisingly belts out the duet on "Live with Me" that should make any queen of soul proud.
The Beacon Theatres' intimacy is magnified during "Far Away Eyes", when Keith botches the lyrics and a fan ribs him. He laughs back "Shut up". Fans should watch for several instances of clever reworking of some lyrics. The preacher in Far Away Eyes now asks for twenty dollars, up from ten. Inflation I guess.
Martin Scorese's best known rock documentary is "The Last Waltz". It ... Read More



Rating: 4 out of 5 stars - Ya gotta admire these guys' energy ...
... but geez, they're looking OLD. Mick Jagger was born the same year I was, and he has ten times the energy I do, but I have to say their act is getting a bit tired. As others have noted, this is an "oldies" concert, with nary a new song in the mix. Mick's duets with Buddy Guy and Christina Aguilera add a bit of freshness, and Keith Richards' uncanny resemblance to Captain Jack Sparrow (Johnny Depp reportedly based his character on Richards) is entertaining as well. A fun time overall.





Rating: 5 out of 5 stars - Solarized Mick
one notably good movie I've seen lately, on Blu-ray. Martin Scorsese's "Shine a Light" filming of some live Rolling Stones concerts is not only great, good music, but one of the best examples of the possibilities of HD 1080p TV and Blu-ray. Mick Jagger (and Ron Wood) look like gargoyles. Mick is amazingly thin and spry for some one who is 65 years old, if memory serves, and bounces all over the stage, like he did in his twenties . Keith Richards looks like a zombie undead superannuated version of Captain Jack Sparrow. Charlie Watts, who must be nearly 70, looks the youngest of the lot. Guest Christine Aguilera and sings and jumps around in the highest pair of spike heeled boots I've ever seen a woman be able to stand on - must be 6-7 inch heels? While she looks sweet, she shrieks the lyrics. The music in the film, despite the guests, is better better when Jagger sings alone.

Intercut in this is parts of a mid `60's interview with Jagger and the Stones, like Scorsese used in his definitive Dylan documentary "No Direction Home"!

Buddy Guy helps Mick sing the Muddy Waters anti-cocaine blues song "Champagne and Reefer". Unfortunately, Guy shots the lyrics, overload the mike and makes the anti-cocaine unintelligible.

The music is, of course, quite good, loud and the Blu-Ray sound will test the limits of your sound system.

But the most amazing thing is the video effects, the huge array of high intensity lights and strobe lights which Scorsese shoots ... Read More



Rating: 5 out of 5 stars - More stars needed
This is a really amazing & breathtaking video footage DVD. Must see, must have! Let it rock!



Rating: 3 out of 5 stars - It's Always Asked: 'How Long Will You Guys Keep Going?'
"Can you picture yourself doing this at the age of 60?"

"Yeah, sure."

I thought that was the neatest line in this concert-documentary when Mick Jagger gave an honest and prophetic answer to that question, some 30 or more years ago (maybe closer to 40!). We see that short interview here on this concert DVD.

Not only Mick but Keith Richard, Charlie Watts and Ronnie Wood just keep going and going and going. Anyway, this film is 95 percent concert and five percent talk, so those who think this is a documentary are going to be disappointed. The talk includes old interviews and an opening segment with the director trying to work with the group which, as we see, isn't easy. For those who want more documentary material, check out the 16-minute featurette which comes with the DVD. There is some great material on that, reflections by a few of the guys, some nice acoustic guitar work and a better chance to see what they guys are like in rehearsal.

As far as this concert - held at the Beacon Theater in New York City - goes, it's about average for the Stones. The 2003 concerts at NYC's Madison Square Garden and the earlier ones in London, Berlin, Turin, and other places around the world seem more dynamic than this one, because of the bigger stage and audience. At the smaller venue of the Beacon, we couldn't enjoy the big props, neon scoreboards, the boys walking down the long aisle for a small set in the middle of the crowd, Mick prancing down long sides of the ... Read More



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