List Price: $39.98You Pay Only: $27.97 You Save: $12.01 (30%)Prices subject to change.
Availability: Usually ships in 24 hours
Aspect Ratio: 1.33:1
Audience Rating: NR (Not Rated)
Binding: DVD
EAN: 0044007344460
Format: AC-3, Classical, Color, Dolby, DTS Surround Sound, DVD-Video, Full Screen, Subtitled, NTSC
Label: Deutsche Grammophon
Manufacturer: Deutsche Grammophon
Number Of Discs: 1
Number Of Items: 2
Publisher: Deutsche Grammophon
Release Date: August 12, 2008
Running Time: 188 minutes
Sales Rank: 21610
Studio: Deutsche Grammophon
Theatrical Release Date: 1978
Related Items:
Editorial Review:
Description:
'Conducted by Sir Colin Davis, the score is interpreted splendidly.' (The New York Times) Gwyneth Jones bravely tackles the roles of both Elisabeth and Venus with glorious tone and splendid stage presence. This 1978 production from Bayreuth was directed by Götz Friedrich, and includes choreography by John Neumeier with stage designs by Jürgen Rose. The controversial production shocked many opera patrons while ushering in a new age of Wagner interpretation.
Customer Reviews
Average Rating: 
Rating: - Historic Tannhauser
Time to celebrate! Finally this memorable production comes on DVD! What made the folks at DG wait such a long time? There were so many other sub-par DVD performances of this opera available out there long before this version was available. This is perhaps the only version of the opera that I have seen where I have not been bored or just turned off by some director's "vision". And boy does this opera need all the help it can get-which is exactly what happens here! First is the production itself which successfully combines (mostly) the traditional directions of the composer with a good jolt of the modern perspective. Of course nowadays this production would probably be seen as tame compared the the Munich production (w/ Rene Kollo and Waltraud Meier), although nowhere near as traditional as the Met's. Second, this production would only succeed with strong, visually believable singers in the principal roles. In Gwyneth Jones and Spas Wenkoff we have two such singers. Yes, they are not exactly in the first flush of youth, but good grief, has any Wagnerian soprano displayed such physique as Dame Gwyneth (Venus) in her prime? Waltraud Meier (Venus) certainly matches her in Munich, but Dame Gwyneth goes one step further and performs the role of Elisabeth with even more distinction since it is vocally better suited to her. Spas Wenkoff of course has to be mentioned since Tannhauser is such a murderous role. He more than holds his own, and while his acting is respectable, the overall combination ... Read More
Rating: - Captures the spirit of Bayreuth
There are many videos of Bayreuth performances, but this was the first. For that reason alone, it's worth watching; fortunately it isn't the only reason.
Unlike later recordings, this one includes curtain calls. I think this was an excellent decision, since it evokes the thrill of being part of a Bayreuth audience. Only in Bayreuth will an audience remain absolutely silent until the last note has faded, and then erupt in a paroxism of emotion - good or bad. Listen carefully, and you'll hear the point where the audience begin to stamp their feet, causing the wooden structure of the Festspielhaus to resonate with a sound like thunder. They obviously liked this performance.
And why not, indeed; it's excellent.
Gwyneth Johns performs both Venus and Elizabeth, as Birgit Nilsson did, back in the sixties. There were some difficulties - her lower register wasn't quite up to the essentially mezzo part of Venus, and her diminutive stature meant that she had to stand on a box throughout act I (somewhat limiting her range of movement). That's her on the cover of the DVD - you can see the corner of the box if you look closely. However, her acting ability, stage presence and total commitment to her roles more than compensated for these minor, er, shortcomings.
Spas Wenkoff's Tannhauser was full of manic glee (although this might have been a combination of close-ups and operatic acting). Wonderful strong voice, with none of the whiny edge that I've heard in other ... Read More
Rating: - Outstanding
There is usually something special about a first recording, and this Tannhauser was the first complete opera video from Bayreuth, in 1978. It indeed is most compelling, graced by the elucidating and dramatic staging and direction of the highly acclaimed Gotz Friedrich. Ironically, for a first recording, Friedrich's original 1972 production raised holy hell in Bayreuth, booed in the house, criticized by politicians (!) and raising only medium levels of praise from the critics.
Today, it seems positively conservative. Banners than hang in the Act 2 song contest were criticized as too militaristic. Today they look positively traditional and inviting. When Tannhauser is about to sing his radical song, knights with swords lunge to attack him; hardly a stretch of imagination. The final chorus, on a darkened stage, was thought, incorrectly according to the set's notes, to be clad in a pedestrian outfit of red, apparently indicative of the East German Friedrich's Communist tendencies. Puhlease!
The Tannhauser is the unknown Spas Wenkel, a Bulgarian who was 50 when this was recorded. Apparently, from a Google search, he had a quick rise to acclaim and disappeared soon after. Here he joins the original cast from 1972 and they are a seasoned group. Wenkoff, besides possessing a very expressive stage presence, is a splendid singer, full of ardor with a ringing tone. His short career is our loss.
Gwyneth Jones tackles the roles of both Venus and Elisabeth, and portrays both superbly, ... Read More
Rating: - Most solid Tannhauser on DVD
This is a recording of a live performance out of Bayreuth in 1978. Like most (though by no means all) Bayreuth audiences, this one is extraordinarily well-behaved, so coughs at inappropriate times aren't an issue and one gets all the benefits of a live performance without any of the drawbacks. There are curtain calls at the end of every act, but with the advent of the fast-forward button, these are not annoying.
As a warning, the production isn't strictly "traditional": Landgraf and the minnesingers are dressed in Faschist/Nazi style and the Venusberg is reimagined as a sort of opulent prison (Tannhauser looks through the strings of his harp during the overture as if they are prison bars.) Most of the time, though, the production makes sense: the minnesingers carry harps, the singing contest is in the grand hall of Wartburg, the Venusberg is underground and has its scantily clad nymphs, etc. Given what Wagner operas are turned into these days, this is as traditional a production as one is likely to get, unless one opts for the boring and generally poorly sung/acted Met version.
Now, to get to the *real* reason for buying this version: the cast. It's far superior to the Met's version and the other Bayreuth version in terms of both acting and singing. Bernd Weikl sounds and looks much fresher here (being 4 years younger than in the Met version) as Wolfram. If you don't like Gwyneth Jones, stay away: she plays both Venus and Elisabeth. I like her fine (though I don't love her), and though ... Read More
Browse for similar items by category:
|
