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Binding: Audio CD
EAN: 0028947780441
Label: Deutsche Grammophon
Manufacturer: Deutsche Grammophon
Number Of Discs: 1
Publisher: Deutsche Grammophon
Release Date: October 07, 2008
Sales Rank: 1877
Studio: Deutsche Grammophon
Disc 1:- Bach: Concerto in A minor, BWV 1041 - I. Allegro moderato
- Bach: Concerto in A minor, BWV 1041 - II Andante
- Bach: Concerto in A minor, BWV 1041 - III Allegro assai
- Bach: Concerto in E major, BWV 1042 - I. Allegro
- Bach: Concerto in E major, BWV 1042 - II Adagio
- Bach: Concerto in E major, BWV 1042 - III Allegro assai
- Gubaidulina: In tempus praesens, Concerto for Violin and Orchestra
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Editorial Review:
Album Description:
Anne-Sophie Mutter's new recording combines the popularity of Bach with the radiance and intensity of the contemporary composer Sophia Gubaidulina. Gubaidulina's In tempus praesens receives its world-premiere recording; the work was commissioned by Ms.Mutter herself. This is also Anne-Sophie Mutter's first Bach recording for Deutsche Grammophon. The Bach Concertos reunites Mutter with the Trondheim Soloists, with whom she recorded the Vivaldi Four Seasons. Also available is a deluxe version of this recording that presents this CD in a hard bound book format that features the essay in various languages and additional photographs of the artist.
Customer Reviews
Average Rating: 
Rating: - The Best Bach Violin Concertos recording ever made
Yes, it's quite a claim. And yes, there's lots of room for argument. But, being an aficionado of Bach, classical violin, and JSB's violin concertos in particular, I'm willing to put my nickel down on Ms. Mutter's recording, especially of the A minor concerto.
From the opening notes, the piece is played with a sureness that never wavers, but doesn't play it as if strength was the most important quality. There's more body--and soul--in Mutter's version than in any other I've heard, and it successfully elevates the listener to the plane Bach intended. Mutter conducting as well as playing is no doubt key to the achievement. The A minor concerto simply cannot be played better than it is here, and the accompanying work by the Trondheim Soloists is magnificent.
The E Major concerto is just as sure and deft, but slightly less free and full than the A minor. Still stellar, it doesn't--by the barest of margins--maintain the coherence that Mutter and accompanists achieve in the A minor piece.
The disc concludes with the first-ever recording of Sophia Gubaidulina's "In tempus praesens", written by the Russian-living-in-Germany Gubaidulina as a work commissioned for Mutter. Written in 2006-07 after having been commissioned in the '80s, and first performed only in 2007, I believe, Mutter and the London Symphony, conducted by Valery Gergiev, here give an inspired performance of the the work. Gubaidulina is said to be highly inspired by Bach, and equally religious, ... Read More
Rating: - "In Tempus Praesens"
This is a wonderful production because it combines the old and the new in the best artistic manner. Anne Sophie Mutter leads us thru a very powerful and rich Violin concerto, a composition of J. S. Bach. Sofia Gubaidulina has been one of my favorate "modern" composers for a long time and I know her work very well. She dedicated the Violin Concerto "In Tempus Praesens" to A.S.Mutter. It is an intelligent and deeply movimg piece, portraying our time, as says the title. Two congenial women at their best!
Yael Niemeyer
Rating: - beautiful and masterly matched
Beautiful and masterly matched are these two Bach's concertos with Gubaidulina's last violin concerto. These performances are enhanced by the magic and personal touch of Anne-Sophie Mutter in the interpretation of the three concertos. Personally I like the "new old way" of approaching Bach and the wonderful feeling transmitted during the whole development of Gubaidulina's concerto. The company of the Trondheim Soloists in Bach and Valery Gergiev with the London Symphony orchestra in Gubaidulina are detached and emphasized when soloists or the whole orchestra joins the soloist.
Rating: - "In tempus praesens" -- a triumph for Sofia and Anne-Sophie!
"I am a religious person...and by 'religion' I mean re-ligio, the re-tying of a bond...restoring the legato of life. Life divides man into many pieces...There is no weightier occupation than the recomposition of spiritual integrity through the composition of music." --Sofia Gubaidulina
"In tempus praesens" (2007 -- 32'45) is an absolutely stunning new violin concerto. Promised long ago to Anne-Sophie Mutter by Sofia Gubaidulina, it was finally finished in 2006/2007, and premiered at the Lucerne Festival in August 2007, performed by Mutter and the Berlin Philharmoniker with Simon Rattle conducting. For this premiere recording Valery Gergiev leads the London Symphony Orchestra. The now 77-year-old composer has been intimately involved in both of these premieres, supervising the rehearsals and insuring that her vision is conveyed.
"In tempus praesens" features a nearly unbroken solo line, a virtuoso vehicle for Mutter and surely many others to come. Though seemingly depicting a spiritual journey like her first violin concerto Offertorium (1980 -- 35'34 -- see my review), this new piece presents the soloist with less orchestral accompaniment, perhaps more purely. The orchestra menaces periodically, but not with as much vehemence as in the earlier work. And if the ending is not entirely unambiguous, the radiant rising tones of the violin nonetheless sound victorious. For Gubaidulina music always conveys a deep spiritual significance and, no matter how much she has been ... Read More
Rating:  - Transcental JS Bach-Gubaidulina Journey
I had the pleasure of listening to Anne-Sophie Mutter play the JS Bach violin concertos BWV 1041, BWV 1042 and BWV 1043 during her recent concert in East Lansing, Michigan. So I had to get this CD when I found out about it. I thought the recording was excellent, although I still preferred the live performance. Then I compared this with her previous recording with EMI. This newer DG recording is still Anne-Sophie, but I found her playing to be more mature and sublime.
Not knowing what to expect of Gubaidulina, it took me two listenings to appreciate it. On the second listening, I found myself floating in a meditative state! Thank you for the music, and thank you for the experience.
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